.
BIO
Bradford, UK, 1994
She lives and works in London.
Lilian Nejatpour is a British-Iranian artist who shifts between making sculptural forms and sound structures. She often investigates displacement and duality through her unique settings and experiences. With influences from Southern Iran to her northern background in bassline music from Bradford, much of her work is a dialogue between performance, sound, and theory. She questions how these distinct modes operate alongside one another and what problems arise when captured and re-situated in discourse.
Nejatpour gained a First Class, BA Honours Degree, in Fine Art and History of Art from Goldsmiths, University of London (2013-2016). After completing her studies in 2016, Lilian represented Iran as an artist in residence for the cultural exchange between TADAEX (Tehran's Annual Digital Arts Festival) in 2016 and NODE Forum for the Digital Arts (Frankfurt) in 2017. The residency was kindly supported by the Goethe-Institut, TADAEX (Iran), VVVV (Frankfurt) and Ars Electronica (Austria).
From 2017-2019, Nejatpour was a studio resident at Somerset House in London, under the mentorship of Turner Prize bursary winner Imran Perretta. In 2019, Nejatpour received a full Oxford PGT Graduate Studentship in the Humanities to pursue her Master's degree in Fine Art at The Ruskin School of Art at The University of Oxford, completed with Distinction in 2020. In addition, she recently finished an intensive course in Yoga and Meditation Studies at SOAS University of London in partnership with The Hatha Yoga Project (July 2021) and Tantrism at The Oxford Centre for Hindu Studies (August 2021).
Recent publications include When You Blossom I Bloom: Baesianz, The Royal College of Art (2021); Return: Paadmaan Projects, Tehran (2021); Displacement and Duality: Oxford Student Publications Ltd (2019); GORRSED: Art Licks Issue 22 at Tender Books, London (2018) and Absinthe §2: Elam x Kronos Publishing (2019).
Selected exhibitions include Hoist at Bold Tendencies, Peckham (2020); Lilian's Vow at Photoworks, London (2019) and 4:3 Boiler Room (2019); Choreophobia at Somerset House, London, Edinburgh Fringe Festival (2018) and Chisenhale Studios, London (2018); Choreophobia II at Turner Contemporary, Margate (2018) and Saint (The Empty Pose) at The Photographer's Gallery, London (2017).
International exhibitions and residencies include Hope Machine at Cairotronica (Cairo Electronic and New Media Arts Festival), Cairo Palace of Arts (2018); A Social Script for Prompt Relief at Cyan Gallery, Oslo (2018); Hope Machine in collaboration with Simon Weckert for Node Forum for the Digital Arts and the Goethe-Institut, at Naxoshalle, Frankfurt (2017) and Dumbphne at TADAEX (Tehran Annual Digital Art Festival), Mohsen Gallery, Tehran (2016).
She is currently a member of EAST (Eating At the Same Table Collective), WANAWAL (The West African and North African Women's Art Library) and Collective Ending.
BIO
Bradford, UK, 1994
She lives and works in London.
Lilian Nejatpour is a British-Iranian artist who shifts between making sculptural forms and sound structures. She often investigates displacement and duality through her unique settings and experiences. With influences from Southern Iran to her northern background in bassline music from Bradford, much of her work is a dialogue between performance, sound, and theory. She questions how these distinct modes operate alongside one another and what problems arise when captured and re-situated in discourse.
Nejatpour gained a First Class, BA Honours Degree, in Fine Art and History of Art from Goldsmiths, University of London (2013-2016). After completing her studies in 2016, Lilian represented Iran as an artist in residence for the cultural exchange between TADAEX (Tehran's Annual Digital Arts Festival) in 2016 and NODE Forum for the Digital Arts (Frankfurt) in 2017. The residency was kindly supported by the Goethe-Institut, TADAEX (Iran), VVVV (Frankfurt) and Ars Electronica (Austria).
From 2017-2019, Nejatpour was a studio resident at Somerset House in London, under the mentorship of Turner Prize bursary winner Imran Perretta. In 2019, Nejatpour received a full Oxford PGT Graduate Studentship in the Humanities to pursue her Master's degree in Fine Art at The Ruskin School of Art at The University of Oxford, completed with Distinction in 2020. In addition, she recently finished an intensive course in Yoga and Meditation Studies at SOAS University of London in partnership with The Hatha Yoga Project (July 2021) and Tantrism at The Oxford Centre for Hindu Studies (August 2021).
Recent publications include When You Blossom I Bloom: Baesianz, The Royal College of Art (2021); Return: Paadmaan Projects, Tehran (2021); Displacement and Duality: Oxford Student Publications Ltd (2019); GORRSED: Art Licks Issue 22 at Tender Books, London (2018) and Absinthe §2: Elam x Kronos Publishing (2019).
Selected exhibitions include Hoist at Bold Tendencies, Peckham (2020); Lilian's Vow at Photoworks, London (2019) and 4:3 Boiler Room (2019); Choreophobia at Somerset House, London, Edinburgh Fringe Festival (2018) and Chisenhale Studios, London (2018); Choreophobia II at Turner Contemporary, Margate (2018) and Saint (The Empty Pose) at The Photographer's Gallery, London (2017).
International exhibitions and residencies include Hope Machine at Cairotronica (Cairo Electronic and New Media Arts Festival), Cairo Palace of Arts (2018); A Social Script for Prompt Relief at Cyan Gallery, Oslo (2018); Hope Machine in collaboration with Simon Weckert for Node Forum for the Digital Arts and the Goethe-Institut, at Naxoshalle, Frankfurt (2017) and Dumbphne at TADAEX (Tehran Annual Digital Art Festival), Mohsen Gallery, Tehran (2016).
She is currently a member of EAST (Eating At the Same Table Collective), WANAWAL (The West African and North African Women's Art Library) and Collective Ending.